*PLEASE NOTE: THIS IS A PRE-ORDER ITEM*
- Will ship to arrive around December 2021
- Any other items placed in an order along with this item will not ship until this item is in stock and ready to ship on or near December 2021
- We can not split shipments, please place two separate orders if there are other items that you wish to have shipped immediately.
- We cannot combine separate orders.
- All images of physical items on this page are digital mockups & the final product may differ slightly from what is pictured.
The concept of a multiverse is one that has recently exploded into the zeitgeist, but this is where fans of You, Me, and Everyone We Know have felt the most at home since the band’s inception. Each new incarnation of this project has featured a cavalcade of incredible musicians that have helped flesh out entirely new pocket dimensions of sound for figurehead Benjamin Liebsch to call home -- even if only temporarily. However, if comic books have taught us anything, it’s that these realities are all bound to fold into one another eventually, forcing a new perspective in a way that is just as uncomfortable as it is necessary for continued growth. This is the reality of the band’s long-awaited sophomore album -- the blithely vitriolic and aptly named, Something Heavy.
A lot has changed in the six years since we last heard from You, Me, and Everyone We Know, primarily with Ben’s journey with their own mental health. Through therapy, they began to learn how to unpack traumas that informed a lot of the perspective of past material and understand the impact those traumas had on their development as a person. The process of knocking down these walls that Ben forgot they even built informed a good chunk of songwriting for Something Heavy, which references the ideological teachings of Ram Dass and the philosophical musings of comedian Pete Holmes, in such a way that allowed all of the separate world’s that they’ve inhibited to bleed into one another. The result of this is a sound that Liebsch has dubbed soul punk, which connects the eleven songs that make up this record by a frenetic energy that allows for the cathartic wails of songs like “Dragged Across Concrete” to feel at home in the midst of something as explorative as a full-band version of the previously released “Ram Dass Dick Pics” without so much as an eyebrow raise. These changes come to you at break-neck speeds, much like the emotional stages of learning how to cope with the harsh realities that have shaped all of us, but that’s what makes this record feel as important as it does.
Ben has said that You, Me, and Everyone We Know is what has kept them alive through all of the peaks and valleys of human existence. This project has allowed them to explore facets of their own reality in a way that might have otherwise been unavailable to them, and with Something Heavy, Liebsch uses the perspective he’s gained in the decade since the release of Some Things Don’t Wash Out to fold each of the band’s many realities into each other -- and the end result rings bloody and triumphant.
first pressing: 200 purple, yellow, white a-side/b-side; 300 cookies & cream; 500 gold nugget